Top 5 Sigma Lenses for Wildlife Photography


Top 5 Sigma Lenses for Wildlife Photography

Wildlife photography is an exciting and challenging genre that demands the right gear, technique, and perseverance. Sigma is one of the most trusted brands when it comes to camera lenses and they have an entire line of products made specifically with wildlife photographers in mind. In this blog section, we are going to introduce you to the five best Sigma lenses that one can shoot wild animals in their natural habitat — their characteristics, benefits, and how these lenses can help you enhance your wildlife photography experience.

Sigma 150–600mm f/5–6.3 DG OS HSM Lens (Sports)

This lens from Sigma: The Sigma 150-600mm f/5-6.3 DG OS HSM Sports lens. Sony G HIGH-ZOOM LENS: The lens’ extended zoom range provides photographers clarity and detail when framing subjects that are far away. And the lens has an optical stabilisation system that gives better hand-held shooting — as in, nice stable images even when light is low and you have to keep the shutter open longer.

We called a weather-sealed construction as this lens will do its job, even in outdoor rigours, which is exactly what it is built for. You’ll probably be shooting wildlife that rarely obeys your commands and moves chaotically through its landscape — a fast and exactly focused Hyper Sonic Motor (HSM) system allows you to lock on to moving subjects quickly and without waiting for the system to snap to attention. For those more difficult shots, Sigma's Teleconverter is compatible to extend your range even further.

The photographers amongst us will appreciate the excellent image quality delivered by the lens thanks to a sophisticated optical design comprising multiple low dispersion and aspherical elements. This helps reduce chromatic aberration and distortion, which results in a sharp image with vibrant colors and contrast. The Sigma 150-600mm Sports lens is one of the best investments any wildlife photographer can make in their career.

Sigma 500mm f/4 DG OS HSM Sports Lens

When it comes to a prime lens with top quality optics, you won't go wrong with the Sigma 500mm f/4 DG OS HSM Sports lens. As a professional-grade lens, it must also achieve fast autofocus and high-quality images, and happily, it offers both. But that high maximum f/4 aperture allows photographers to get quality shots of an animal in low-light (which tends to be the hours of the day when the animal kingdom is most active).

The optical stabilisation system in this lens is very effective as it offers up to four stops of compensation against camera shake. This is important for ensuring your images are sharper without a tripod, especially given how long a focal length this is. HSM On a new generation fast, on target smooth, and accurate instant focus as well as less impact force smoother working with moving objects to bring you that little piece of mind.

With a magnesium alloy construction, the Sigma 500mm f/4 manages to be both lightweight and very solid, and overall the build is of a high quality. It features weather-sealing as well to keep dust and moisture at bay, making it ideal for outdoor shoots. Another great choice for serious wildlife photographers is the Sigma 500mm f/4 DG OS HSM Sports lens which excels in image quality and reliability.

Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary

There are longer prime lenses, even faster zooms, of course, but the shooter we recommend is a good 100-400mm that offers the best compromise between performance, weight and versatility, and will be one of the most used pieces number of kit for wildlife photographers. The light and compact design allows extended periods of shooting without fatigue, which is a boon for following fast moving wildlife.

It also has Sigma's Optical Stabilisation (OS) tech, which counteracts the effects of camera shake, making it possible to capture sharp photos even with longer zip lengths. This feature of HyperSonic Motor (HSM) realizes high-speed and high-precision autofocus so that even quick moments can be captured with convenience. That 100-400mm focal range is vital at the longest end of wildlife photography, allowing you to shoot close-in or distant subjects without swapping a lens.

Others are special low dispersion glass elements that reduce aberrations and enhance optical performance. There’s a water-repellent coating on the front element too, keeping the lens clear even in the rain. If you needed a high-quality flexible lens, ideal for wildlife and even peripherals, but you required a little bit of movement — a lens such as this would be the perfect choice.

24-70mm f/2.8 DG OS HSM Art Lens

Perhaps the most standard zoom of all — the Sigma 24-70mm f/2.8 DG OS HSM Art — can be a useful tool in the wildlife photographer's kit, especially when you get up close and personal with animals. Its constant f/2.8 aperture through the entire zoom range gives it good low-light performance as well, which this can also be used creatively to isolate subjects in front of a creamy, out-of-focus background.

Its reputation for ridiculously sharp image quality, and the current iteration remains a favorite among professional photographers of any bread. Offering high sharpness and rich colours, an advanced optical design includes multiple special elements to reduce distortion and aberrations. Build quality feels rugged, with good weather-sealing to withstand harsh environments.

zoombike 2. HSM stands for Hypersonic Motor which is a top notch class leading fast and accurate HSM autofocus system making it easy with Lock-on to lock onto your subject and bag those impromptu shots in the field. Not as extreme as long reach telephoto optics, but the Sigma 24-70mm f/2.8 Art lens is a workhorse of a lens that will serve you well for wildlife photography in situations where you will be closer to your subjects or for environmental portraits.

Sigma 135mm f/1.8 DG HSM Art Lens

Our next best wildlife lens is a top prime lens: the Sigma 135mm f/1.8 DG HSM Art lens. While it doesn't possess the long reach of telephoto lenses, its fast f/1.8 aperture means it performs really well in low light and can deliver some lovely subject isolation, which makes it a great option for close-up wildlife portraitures in the field.

This lens is famous for its razor-sharp detail image quality due to its state-of-the-art optical design, which runs the whole gamut of special glass elements used to correct aberrations. The lens also delivers beautiful bokehs, which allows the photographers to create stunning backgrounds which further enhances the beauty of the subject itself. This works especially well with animals and the habitats they occupy, allowing the viewer to know what sort of place they are in, without their subject getting distracted by excess noise.

It has a fast and accurate autofocus system, so you can easily and quickly shoot moving subjects. Well built and weather sealed, this will be your go to lens for outdoor use without concern of changing atmospheric conditions. For wildlife photographers looking to create a dynamic portrait from a different perspective, the Sigma 135mm f/1.8 DG HSM Art lens is a cracking lens to add to your kit.

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